Monday, 22 November 2021

Lightroom Masks - a photographic breakthrough

A short tutorial about an exciting development.

When you see something, you sort your visual image into 'Figure' and 'Ground'. The Figure is the bit you are concentrating on. The Ground (or background) is the rest.

When a photographer takes a photo, they may want to encourage your perception of the Figure that they want you to see.

This has, until now, been done by two methods.

1) FOCUS

2) LIGHT

With FOCUS, you make the Figure sharp, and the Ground less so. The degree to which you can achieve this depends on 'Depth of Field'. Most simple cameras give considerable depth of field, so that there is no big difference in sharpness between objects at different distances from the camera.  

If you want to have a short, or shallow, 'Depth of Field' it is best to use a lens with a wide aperture (hole that the light enters). Zoom lenses tend to either have smaller apertures, or are very heavy and expensive. Prime lenses can't vary their focal length, and tend to be lighter, sharper and cheaper. They also tend to have larger maximum apertures which give the option of a shallow depth of field.

50mm prime lens with aperture f/1.8. Wide aperture, shallow depth of field.

With LIGHT, you can either use natural light, by positioning your subject in such a way that light from a source falls in the way you want, or you can use flash.

Flash has its place, but if it is on the camera, it might cause 'red-eye' when the flash illuminates the retina, or it can often give a sort of flat light picture associated with passport photos.

These things can be countered with off-camera flashes, and other techniques that can be set up in a studio.

They are not easy to do with spontaneous candid photography.

Which brings me to the exciting news of:

3)  MASKS

On 26th October 2021, Adobe released Lightroom Classic (Version 11), which includes the ability to automatically select for subject, sky, colour or various other things. This makes it possible to adjust either the selected bit, or the opposite, and play with the settings to generate a clear difference.

Step 1. Take the photo and crop it. 

Step 2. Choose 'Mask' and 'Select Subject'. Done by Artificial Intelligence.

Step 3. 'Invert Mask'. (Select everything except the mask)

Step 4. Change the properties of the selected area. Eg Change Exposure, Saturation, etc.

 


A more formal introduction here. 







How to get the most out of the new LIGHTROOM masking | real world examples

Tuesday, 21 September 2021

European Masterpieces: from The Metropolitan Museum of Art, New York

This travelling exhibition graced the Gallery of Modern Art (GOMA) in Brisbane recently. Here are a few photos, arranged in time sequence. It is an impressive collection, and well worth a visit.


Paradise by Giovanni di Paolo, Italy, 1445


The Lamentation Petrus Christus, The Netherlands, c.1450


A Hunting Scene by Piero di Cosimo, Italy 1494


The Rest on the Flight into Egypt by Gerard David, The Netherlands c.1512


The Three Ages of Humans by Dosso Dossi, Italy c.1515


'The Three Ages of Humans' (detail)


The Judgment of Paris by Lucas Cranach the Elder, Germany, c.1528


Venus and Adonis by Titian, Italy c.1550


The Musicians by Caravaggio, Italy 1597


Woman Playing a Guitar by Simon Vouet, France, c.1618


The Fortune-Teller by Georges de La Tour, France, c.1630s



The Death of Cleopatra by Guido Cagnacci, Italy c.1645


Sunrise by Claude Lorrain, France, c.1646



Merry Company on a Terrace (detail) by Jan Steen, The Netherlands, c.1670


Paying the Hostess by Pieter de Hooch, The Netherlands, c.1670


Woodland Road by Meyndert Hobbema, The Netherlands, c.1670


Mezzetin by Antoine Watteau, France, c.1718


The Toilette of Venus by Francois Boucher, France, 1751


'The Toilette of Venus' (detail)


Broken Eggs by Jean-Baptiste Greuze, France 1756


Venice from the Bacino di San Marco by Francesco Guardi, Italy c.1765


'Venice from the Bacino di San Marco' (detail)


The Two Sisters (detail) by Jean Honoré Fragonard, France, c.1769



Comtesse de la Châtre by Élisabeth Louise Vigée Le Brun, France, 1789


Marie Joséphine Charlotte du Val d’Ognes (died 1868) by Marie Denise Villers, France, 1801


Venice, from the Porch of Madonna della Salute by William Turner, England, c.1835


The Third-Class Carriage by Honore Daumier, France, c.1862


The Fishing Boat by Gustave Courbet, France, 1865


The Young Bather by Gustave Courbet, France, 1866


By the Seashore by Auguste Renoir, France, 1883


A Young Girl with Daisies by Auguste Renoir, France, 1889


Gardanne by Paul Cezanne, France, 1885


Dancers, Pink and Green by Edgar Degas, France, c.1890


Water Lilies by Claude Monet, France, 1916–19

Some videos with talks about the exhibition can be found here.

Saturday, 11 September 2021

Swell sculpture festival

Every year the Gold Coast stages a sculpture festival on the beach and dunes at Currumbin. It's usually best to try and take photos of it around sunrise, before the crowds arrive and complicate the view.

Here are a few of the sculptures from this year.


'Whale Playground' by Sam Gowing


'Sun Spirit' by Frank Miles



'Bullshark (What Lies Within)' by Robert Guenther




'Reflection' by Phillip Piperides


'Drowning in Plastic' by Gail Dawson




'Passing Through' by Rae Saheli



'Monolith' by Clayton Blake


'M-thirtysix' by James Parrett



'Industrial Wildflowers' by Carolyn Donovan


'Damien Hirst looking for sharks' by Danger Dave


'Cast' by Lincoln Austin with Currumbin SLSC



'Standing Wave 2' by John Nesirky




'Bin Chicken' by Kirsten Baade


'#Lifetime' by Hooman Jaffar, Taylah Jardine, and Owen Thompson


Paddle race outside the surf


Morning meditation in the dunes